White Sands Page 5
Like the Forbidden City, the Peking duck lived up to its considerable reputation, but all the time I was folding slices of duck into the pancakes, adding scallions and other bits and pieces, constantly commenting on its deliciousness, I was conscious of trying to speed things along so that I could meet Li again, even though there was no point in hurrying because she was busy eating dinner herself, not gobbling her food, not fretting and worrying about when we might meet.
I soon had something else to fret about. I’d left my phone at the hotel, in my shorts, and so Min—obliging as ever—called Li and fixed up a rendezvous. It was at a bar, only twenty minutes away, and Jun, Min and Wei were all coming too. Not quite how I had envisaged the rest of the evening panning out, obviously, but perhaps it wasn’t a bad idea to dilute my eagerness, to prevent it acquiring a touch of desperation. We found a taxi immediately; the roads were almost empty. For ten minutes we sped along, then were obliged to slow to a crawl before crawling to a halt as the traffic congealed around us. We were still in the car an hour later, had waited twenty minutes to make a left turn—the lights turned to green for less than thirty seconds—onto the road the bar was on. If we’d known this we could have jumped ship, walked to the bar in five minutes and saved fifteen—a quarter of an hour. Except, even when we did get out, on the street itself, the bar was nowhere to be seen. It was a street full of bars—horrible places, some with pole dancing, all crowded with young youth, the youthful young—like a shinier, slightly less ghastly incarnation of Camden Town. Surely she wouldn’t have chosen one of these bars. And if she had, then where the fuck was it? Where was she? More time ticked pointlessly away. A minute was like five minutes. Ten hours from now I’d be on a flight to London. Then I saw her, waving as she had that same morning in the Forbidden City, minus the shades. She was wearing a blue dress, shorter than the one she’d worn earlier. Darker too, knee-length, but also sleeveless, revealing the same shoulders and arms. No wonder we hadn’t been able to find the place: she was outside a nail bar. I looked down at her feet, her sandals, her toes, her blue nails. Min introduced Jun and Wei to Li and we followed her along a passageway to the side of the nail bar. We came to a dented grey elevator, large enough to accommodate a patient on a gurney in an under-funded hospital, with weary staff and several anxious family members. The doors squeezed shut; the elevator shuddered upwards until the doors opened again to reveal a dim landing lacking all distinguishing features except some partially erased graffiti. It was an evening when one kind of disappointment followed swiftly on the heels of another, interrupted by surges of hope and renewed expectation. I followed Li up a flight of concrete stairs, the muscles in her calves flexing as she took the steps. But where was she taking us? To a crack den?
No! To a rooftop bar. When we emerged into the hot night, it was like a dream of Ibiza, one of the wonders of the nocturnal world.
‘What’s it called, this place?’ I asked.
‘It is the Bar of Mental Cultivation,’ she said. ‘Did you not see the sign?’
‘I’m pretty sure there was no sign. But maybe I was looking for the wrong sort of sign. Like the Dog and Duck.’ It was a pub joke, wasted on Li.
The bar was surrounded on three sides by high-rise office buildings, gleaming and new—some so new they were not even finished. On the fourth side the city stretched away forever: neon-topped skyscrapers, the blinking lights of planes. The music was not loud. She had chosen the perfect place, but it was not quite perfect: there was nowhere to sit. Li introduced two friends, both women, who had been here a while, trying without success to secure a table. The best option was for us all to crowd into the psychedelic pod in the middle of the roof, on cushions, but that would have been like sitting inside, not out in the night with the stars overhead. These stars were nowhere to be seen, there was too much light pollution for that—come to think of it, where had last night’s moon got to?—but the light was not pollution at all, it was its own kind of magic. We milled around in a way that was like a standing version of being back in the car, close to where we wanted to be, but stuck at a frustrating remove from it. There were a few empty chairs scattered around, not enough to combine and seat a party of seven. Then a large group, all male, Chinese and Western, got up to leave, vacating a large sofa and some chairs. Li pounced. Once Jun had grabbed two extra chairs we were in place, all of us together around a low table—with me seated next to Li on the sofa, without seeming to have done so deliberately.
A waiter took the complicated drinks order: beer, cocktails, gin, wine. Now that we were settled, with drinks on the way, everyone was re-introduced. One of Li’s friends turned out to be her sister.
‘You don’t look at all alike,’ I said. Her face was angular, sharp, almost hard.
‘She is not real sister,’ said Li. ‘She is cousin-sister.’ The cousin-sister was a dancer, though she looked too tall to be a dancer. And she’d just had a baby. The waiter came back with a tray loaded with glasses, bottles, ice, drinks. Li had ordered a Singapore Sling (‘whatever that is’); I was drinking beer. Min proposed a toast to me and Jun. As soon as we had all clinked glasses I offered one back—‘To the Chinese century!’—and we all clinked again. The beer was only Tsingtao but it was cold, wonderful, tasted OK. For the first time since leaving the Forbidden City, I was able to give myself entirely to the moment. But if a moment is this perfect there is a need to preserve it, to photograph it. When people are having a good time they take pictures to show and prove they’re having a good time. Everyone was taking pictures, not just the people in our group, but all around. What’s the point? These pictures never capture the magic of magical evenings, they just show people getting red-eyed drunk and taking pictures of each other, but the act of taking the pictures is part and proof of the moment. It was something I associated with the young, but Jun was at it too. The difference was that he was using a proper camera, not just a phone, and taking considerable care, altering the focus and aperture. At one point he changed the lens in an unobtrusive, unfussy way, still holding his beer, not talking. Then he got up and left the table and walked away, continued photographing at a distance. When he sat back down he passed around the camera so that everyone could see the results.
They were fantastic. I had never been in a situation where something I was experiencing had been caught so perfectly on film. These were pictures of the inside of my head. The photographs were beautiful but, everyone agreed, the best ones were of Li’s cousin-sister. The colours were slurred, gorgeous, drenched. In one picture there was a yellow smear of light and, to the right, a string of blurred blue dots stranding her in shadowed clarity. Had Jun known what the result would be? If so, how had he done it?
‘He must be in love with her!’ I said, answering my own question. This romantic and technologically ignorant reaction was also a vicarious declaration and attempted deflection of what might have been obvious to everyone. If you were to fall in love with someone, on a rooftop bar in Beijing, this was what it would look like. Or was it just the camera that was in love with the cousin-sister? I’d read that Muhammad Ali, along with his other attributes, had the perfect face for a boxer, with rounded features that made him less susceptible to cuts. Li’s cousin-sister had the opposite kind of face: angular, sharp-featured. The camera didn’t glide or slip from her face in the way that punches slid off Ali’s. It clung to her as you hang on someone’s every word when you are falling in love with them. The shutter speed, presumably, was however-many-hundredths of a second, but something about her face meant that the camera held it fractionally longer and, in the process, softened it. Her face allowed, even encouraged the camera to do this, to bring her inner life to the surface. She was removed, not quite there. Maybe she was thinking of the child at home? She looked—and again the softened sharpness of her features played a part—abstracted. Maybe this was what Jun had noticed, that her face had that special quality or capacity.
I was glad to be able to concentrate on the pictures, to avoid directing my attent
ion completely on Li—especially since, as we had bent forward together to study the camera, our shoulders had touched. They were still touching—my shirt against her bare skin—as we clicked though the images and came to one taken five minutes earlier, showing the two of us sitting where we were now, surrounded by a blue like the blue of oceans seen from space, with the moon above my head. (I glanced around—yes, there it was, peeking out from behind a building.) At first the picture was a little confusing: Li was twisted round, her head was hidden behind me so that only her left shoulder could be seen. I had leaned forward while she reached behind me to retrieve her bag from the end of the sofa, so it looked like she was jokily hiding from the prying camera. There was a subtle intimacy about the interplay of bodies and limbs, what was revealed and hidden. Again, was this an accident— something the camera had accidentally caught—or was it something Jun had noticed and quickly captured? Everything was blurred and coloured by the fairy lights: slow yellows, stretched reds. The softness of the night was implied, its heat and promise, and the uncertainty as to whether I was responding to something that existed in a haze of intangible and unspoken signs. That was also there in the photograph as we looked at it, forearms damply touching, certainly.
Li pointed at my face on the screen, clicked to enlarge it.
‘Ah, you a-rook rike George Crooney!’ she said, eyes wide. She had never ‘r’-ed her ‘l’s like this before. By breaking the spell, she cast me into it more deeply. And she had out-pubbed me too.
Li handed back the camera to Min—having first taken care, I noticed, to click back to an unincriminating wide shot that showed the whole group together. Min passed it to Jun. The waiter came back with another trayful of drinks. More people were arriving, some of whom knew Li’s friends. The bar filled up; the music grew louder but not loud enough to cover up the way that time, which had already ticked away pointlessly in the car, was continuing to tick away, more loudly and pointedly by the minute.
Then, everyone agreed, it was time to go. It was two in the morning. My flight was eight hours from now. The bill was paid—by the Chinese; my money was stuffed back into my hand, as it had been every time I’d tried to pay for anything. We stood up and left the roof. The dismal elevator returned us to the still-busy street with its crude lights and lusts. There was much milling around, waiting for taxis, as everyone in the now-expanded group worked out who was going in which direction. Li was by my side. With a little contrivance I could whisper to her, ‘Can I come home with you?’ or ‘Will you come back to my hotel?’ It was premature to propose such a thing and, at the same time, almost too late. And even if she said yes, how to navigate the complications of taxi taking, how to avoid the assumed arrangement of sharing a taxi with Min, Jun and Wei? There was, in addition, the gulf between the polite reasonableness of the question—‘Can I come home with you?’—and everything the answer to it might allow, all that could become unforbidden. Why was it—what law of the barely possible decreed—that these situations only cropped up on one’s last night, so that instead of falling asleep and waking up with her, instead of eating breakfast and spending the day getting to know her, I would get on a plane a few hours later and leave with an even greater sense of regret because, instead of having missed out on all of this totally, we would have experienced just enough to make us realize how much more we had missed out on by not missing out on it entirely? Li was still by my side. I turned towards her, spoke in her ear. Two taxis pulled up, one behind the other. Hours and minutes had ticked by. Doors were opening, goodbyes being said. There were not even minutes left, only seconds before she would turn towards me so that I could kiss her goodbye—or turn towards me and not say goodbye, not turn away.
3
Maybe because of some fluke of geomorphology, certain places in a landscape develop a special quality. A slight indentation becomes moist, a river runs through it. This becomes a fertility site, devoted to the goddess, the earth mother. To mark the place people arrange a few stones in the symbolic shape of a phallus or vagina so that its power is increased, enclosed, harnessed. A childless couple go there and mutter a few pleasantries and, that very night, the wife conceives. News of this miracle spreads. People travel from afar, hoping for a similar result, believing that coming here will bring their shaming sterility to an end. And it works. Up to a point. Then it doesn’t. The explanation is obvious: during a period of drought the river has dried up. Lacking any knowledge of meteorology, the people who live nearby, who have by now become dependent on the business generated by pilgrims, ask the priests (also dependent on the pilgrim trade) what to do. They decide that the only way forward is to moisten up the earth goddess with the blood of a few virgins or adolescent males. So they do that, and this previously nice place acquires an atrocious dimension which, far from cancelling out its sacred status, enhances it. Or maybe they enlarge the simple stone shrine and build something larger, along the lines of Angkor Wat or Salisbury Cathedral. Then, after an invasion or two, everyone forgets what it was for, and the place falls into disuse and ruin. But the accumulated effect of all these comings and goings lingers and seeps down into the foundations; by falling into ruin its primal circuitry is laid bare. Even when there are just a few stones left and no one knows what went on here, the place retains what D. H. Lawrence, in an essay on Taos Pueblo, called a kind of ‘nodality.’
Space in Time
We came to a place that seemed like nothing much: a homesteader’s cabin and a windmill, in the middle of a vast nowhere. The windmill must have been turning, because the wind was sprinting across the plateau. The sky was not just clear or blue. It was as if we’d ended up in a future where there was no atmosphere—no sky—to insulate earth from cosmos. Scrub extended into the distance, and in that distance were mountains, but even the things that were near were distant. The land was camouflage-coloured, the dust a dryish, dusty brown. The sagebrush was greyish green, as if emerging from a period of drought or hibernation. Near the cabin but still quite distant, almost invisible, were sticks stuck randomly in the ground—quite a lot of them, some in the far distance as opposed to the near distance but none in the very far distance, where we could not have seen them even if they had been there.
There were three bedrooms in the wood cabin. A fire, specifically a pellet-burning stove, was burning, but we did not linger inside. The air was thin, cold, the sun hot on one’s face. When the wind subsided, as it did every few minutes, it was still and quiet and warmer. As we walked towards the sticks it became obvious that there were more of them than we’d realized, though it was difficult to say how many, because many were hard to see and some were not see-able at all, and it is probably only in retrospect, once we had understood that their being invisible was part of their function, that we knew they were there.
The sticks, it became evident, once we got close to them, were not sticks but poles: polished steel, shining in the sun. Reflected down the middle of the first one I came to was a long blue smear: me, my reflected self, distorted and elongated almost to nothing. The poles were sharply pointed, roughly three times my height. They were absolutely vertical, two inches in diameter and cold to the touch, inanimate and inorganic. If they had been tall wooden sticks they could have been planted hundreds of thousands of years ago; being stainless steel, they were, obviously, of more recent provenance. Hundreds of years from now they would still gleam like a promise of the future.
We continued walking until there were poles on all sides, surrounding us, but because they were a long way apart—so far apart one could easily forget they were there—it was the opposite of feeling hemmed in, as if by a forest. Still, it was difficult to detect any pattern or order, and unless you were right next to a pole there was nothing much to look at. The most eye-catching objects were the cabin and the windmill. The cabin was low and squat, hugging the ground, determined to stay put in the face of whatever forces—meteorological, economic—might try to persuade it to budge. Our approach was different. We moved away from each other,
in different directions. Being here encouraged us to separate, but we all felt this urge and so the urge to be separate was shared, communal. It was seeing the others, realizing how far away they were, that brought home how far into the distance the poles extended.
The sky was still nothing—no cloud, no anything. Perhaps the poles played a part in this. We rely on scenarios and correspondences to make sense of the world. It was very windy. If there had been a flag it would have blown out straight, proud and American, and there was a suggestion of flag because of the abundance of poles and wind, but there were no flags. It wasn’t just that there happened not to be any flags. There was an implied absence of flags.
‘We’re a small number of people in a very large space,’ Ethan said, walking to within talking distance. ‘The poles make you come back to a single question: what difference do the poles make? Their effect is both slight and absolute.’ We were standing side by side, looking into the distance, Western-style, and then we drifted apart again. The wind was strong enough to make the poles quiver, as if shivering from the cold.
At some point everyone convened at the cabin. I was the last man in and could see the other members of our expedition sitting on the wooden porch, in wooden rockers and on wooden benches, drinking champagne, watching me walk towards them. It was the kind of hut you see in Walker Evans’s photographs from the 1930s. What had seemed noble but squalid then seemed idyllic now, especially with the champagne and laughter.